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A Handbook of Diction for Singers: Italian, German, French, by David Adams
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A Handbook of Diction for Singers is a complete guide to achieving professional levels of diction in Italian, German, and French, the major languages of the classical vocal repertory. Written for English-speaking singers, it is an ideal textbook for students of diction and is also invaluable for voice teachers, vocal coaches, and conductors. This unique book combines traditional approaches proven successful in the teaching of diction with important new material not readily available elsewhere. Employing the universally accepted International Phonetic Alphabet (IPA), it presents the sounds of each language in logical order, along with essential information on matters such as diacritical marks, syllabification, word stress, and what to look for in dictionaries.
A Handbook of Diction for Singers offers thorough and consistent explanations of Italian, German, and French pronunciation issues that typically create the most difficulty for English-speaking singers. It goes into greater detail than comparable texts, providing specific information and discussion of concepts especially important to singers. For Italian, it presents extensive coverage of the execution of phrasal diphthongs, as well as a detailed guide to the occurrences of open and closed e and o. For German, the question of when to use glottal attacks in singing is thoroughly discussed, as is the execution of phrasal consonant clusters. The French chapter gives many examples of the correct approaches to mute e (schwa) and glides, and also concisely but thoroughly presents liaison. Particular emphasis is placed on the characteristics of vowel length in all three languages.
Illustrated with numerous examples and exercises, A Handbook of Diction for Singers is an exceptional text for courses in diction and a valuable reference source.
- Sales Rank: #988307 in Books
- Brand: Brand: Oxford University Press, USA
- Published on: 1998-11-19
- Original language: English
- Number of items: 1
- Dimensions: 6.00" h x .80" w x 9.10" l,
- Binding: Paperback
- 180 pages
- Used Book in Good Condition
Review
"A major contribution to the literature on lyric diction....[It brings] new insights and approaches into well-trodden ground....An essential book for the studio of any voice teacher."--Leslie De'Ath, in the Journal of Singing
"An excellent handbook, very useful for teachers and advanced singers. The author is very familiar with most students' problems and addresses important areas such as glottals in German."--Timothy Cheek, The University of Michigan
About the Author
David Adams is at University of Cincinnati College Conservatory of Music.
Most helpful customer reviews
14 of 14 people found the following review helpful.
Excellent Reference for All Singers
By Student
Professor David Adams skillfully offers keen insight into the basics of Italian, German, and French diction. In addition to covering the most general rules, he goes on to explain common exceptions and more elusive nuances of each language within the context of a singer's perspective. Some familiarity with the International Phonetic Alphabet is helpful but not necessary.
This book will prove a tremendous asset for any singer whose goal is more than simply singing correct notes. It will assist in adding that element of expression only possible with the clarity of the text as it was intended by the composer.
0 of 0 people found the following review helpful.
Truly a clear guidebook that covers all aspects of singing ...
By Amazon Customer
Truly a clear guidebook that covers all aspects of singing in a non-native language.
-Page Michels, one of his students
3 of 3 people found the following review helpful.
Great Diction Book for Singers
By Willie Anthony Waters
I have long used the appreciated David Adams' textbook A HANDBOOK OF DICTION FOR SINGERS. Having seen the 2nd edition that a colleague owned, I decided to purchase it. It is even better than the original. The thing I like about this book is that it is concise, direct, practical, easy to read and comprehend, and is not bogged down in too much academic rhetoric as some other diction texts I have studied. I highly recommend it for singers and teachers.
Willie Anthony Waters
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